
White Water Festival
June 18 - 21, 2026
Every year, the FIBArk website, like the festival itself, is reimagined, updated, and dynamic until the festival starts.
Be sure to REFRESH this page and all pages to get the most accurate information, links, and dates.


live music
FIBArk 2026 – Artist Performance Schedule
Purchase your day passes for entry to all river and music events, and
access to food, drink, and vendors.
Day passes are required for entry on both Friday and Saturday.
Thursday and Sunday are FREE to the public.
Tickets are $15 per person at the door OR
catch us at a presale event to score $10 early access tickets.
Please note that anyone under 18 and over 64 is FREE.
Check out our Salida-area pre-sale schedule (more dates to be added)!
4/25 - 6:15pm Salida Moth @ A-Church
5/1 - First Friday @ Buena Goods
5/2 - Salida Distillery Derby @ Salida Distillery
5/15 - 4-6pm @ Liberty Hall
6/5 - First Friday @ Buena Goods
FIBArk 2026 – Artist Performance Schedule
Thursday, June 18th
Sweet Jessup and the Dirty Buckets
5:30 PM | 90 minutes
Karl Denson's Tiny Universe (Headliner)
8:15 PM | 90 minutes
Friday, June 19th
Horizon Line
3:15 PM | 90 minutes
Earl Nelson & The Company
5:30 PM | 90 minutes
The Other Brothers (Headliner)
8:00 PM | 90 minutes
Saturday, June 20th
Sun Jr.
3:15 PM | 90 minutes
Gora Gora Orkestar LLC
5:30 PM | 90 minutes
The Polish Ambassador (Headliner)
8:00 PM | 90 minutes
Sunday, June 21st
Float Like a Buffalo
12:30 PM | 90 minutes
Amelia Day (Headliner)
2:45 PM | 90 minutes
HEADLINERS
The Jauntee
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Karl Denson's Tiny Universe
KDTU has electrified audiences around the world for over 25 years from the fields of Naeba in Japan at the infamous Fuji Rock Festival to the hallowed stage of Madison Square Garden where they previously joined the Dave Matthews Band and The Godfather of Soul, James Brown. From performing as Sexual Chocolate (Karl was in the original band in
the movie Coming To America and its sequel) at the Outside Lands Music festival in San Francisco, to being the first late night act at the inaugural Bonnaroo festival, KDTU have
been a dominating force in music for the past 25 years.
All-night, sold-out concerts during Jazzfest in New Orleans have featured sit ins by everyone from Lenny Kravitz & Steve Winwood (with whom Karl has recorded and toured) to
avant garde luminaries Marc Ribot & Boyfriend. Chuck Leavell and Bernard Fowler (Karl’s bandmates in The Rolling Stones where Karl replaced the great Bobby Keys as
saxophonist in 2014) have joined onstage and on record, as have Lukas Nelson, John Oates, Michael Franti, Warren Haynes, Ivan Neville, Anders Osborne, Big Daddy Kane, Roy
Hargrove, Maceo Parker, Fred Wesley, Joshua Redman, Marcus King, and Bernie Worrell, among others.
Touring the country with the Allman Brothers, My Morning Jacket, D'Angelo, The Roots, Public Enemy, Bob Weir of The Grateful Dead, Parliament Funkadelic, Slightly Stoopid,
Widespread Panic, very few concert goers have been untouched by the Tiny Universe live. In addition to KDTU, Karl Denson aka “Diesel” is a founding member of the seminal
groove act The Greyboy Allstars.
The Jauntee

Friday, June 19th
the other brothers
The Other Brothers unite some of Colorado’s most revered musicians to honor one of America’s greatest musical legacies: The Allman Brothers Band. This powerhouse lineup
draws from an impressive pedigree, featuring members of JJ Grey & Mofro, Circles Around The Sun, John Oates Band, and the core of the original Derek Trucks Band, a combination that brings serious chops and deep respect to the music.
The Other Brothers channel the fire, soul, and fearless improvisation that made The Allman Brothers Band a force of nature. Anchored by Colorado’s thriving music scene, the band delivers the classics such as “Dreams,” “Jessica,” “Whipping Post” with intensity and authenticity, while also digging deep into rarities and unexpected gems rarely heard live.
Band Members
Bill McKay (Steely Dead / Derek Trucks Band)
John Michel (John Oates Band)
James Dumm (Johnny & The Mongrels / Drunken Hearts)
Rob Eaton Jr. (Brother’s Keeper)
Will Trask (High Hawks)
Jiho Han on Bass (DJ Williams, Taylor Scott Band).
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The Jauntee
saturday, June 20th

the polish ambassador
Musician. Producer. Beatsmith. Recording artist. Composer. Dance-floor general.
Label-head. A mystery man of many hats, The Polish Ambassador rocks more than just a
trademark jumpsuit, authoring sublime, intentional artistic works, animated safaris in
technicolor sound. At first breath, The Polish Ambassador was an experiment, David
Sugalski’s sound-art passion project that came to life. An inventive, imaginary character
born of humble, humorous beginnings, he found his first audiences through the support of primitive digital radio stations. Today, TPA is among the premier EDM/live crossover
artists in the country with millions of listeners around the world; he’s consistently
in-demand at the live music-focused gatherings and boutique electronic festivals from coast to coast. Founder of independent label Jumpsuit Records, an environmentalist and early progenitor of the permaculture action movement, the world’s funkiest diplomat is
here to party with a purpose.
Thurday, June 18th
The Jauntee
Sunday, June 21st

amelia day
Amelia Day is a musical jack-of-all-trades. Standing at the intersection of folk, rock, and pop, Day blends heartfelt storytelling, raw delivery, and unforgettable melodies into music that feels both fresh and familiar — like rediscovering an old favorite. A self-described writer before anything else, her perceptive lyricism extends far beyond her 23 years, with
lines reminiscent of songwriting greats like Joni Mitchell and Paul Simon. As the Spokesman-Review notes, Day has a signature style that features “wordplay, double-meanings
and rhythmic variations,” with themes ranging from journeying into adulthood to climate change. Many of Day’s songs are also shaped by her intimate relationships, where her
queerness and candor take center stage. Day’s upcoming EP EGO TRIP is her most personal project yet. Lead single “Lady Los Angeles” traces the sting of betrayal after
discovering infidelity, while the rest of the EP takes listeners on an intimate journey through her grieving process. “The character of ‘Lady Los Angeles’ is representative of my ex’s
obsession with attention and fame at all costs and my own fear of being seduced by those same temptations,” Day explains. “It felt like she was having an affair, not only with
another person, but with the often-self-aggrandizing culture of Los Angeles itself.”
Born and raised in the small town of Sumner, Washington — the self-proclaimed “Rhubarb Pie Capital of the World” — Day has been drawn to music-making since she could walk.
“I had no idea what I was doing, but I had a toy ukulele and drum, and my parents had an upright piano that I would mess around on,” she recalls. “I could spend hours just playing
around on the keys, making up little songs, which my piano teacher recognized and encouraged.” By middle school, Day was already writing her own songs “about myself and my (very angsty) preteen feelings.”
Once Day got to college, she began performing her originals publicly, though not without roadblocks. “I had horrible stage fright up until mid-college,” she admits. Starting with
farmers markets and local restaurants, Day gradually built up the confidence and the following that would lead to sold-out shows in Seattle, Boston, and D.C., as well as festival
appearances at Bumbershoot (“one of my favorite sets I’ve ever played...there was a line of people outside waiting to get in!”), Capitol Hill Block Party, Folklife Festival, and Seattle
PrideFest — all on her own. “I’m proud of getting to this point as an artist completely solo,” Day says.
​
Day is proficient on guitar, keys, bass, and drums, often switching between instruments during her live performances. At other times, she lets the music take over — stepping away
from the instruments to simply sing and dance with mic in hand. She says she aims to “create an environment of complete presence and joy, but also healthy catharsis of all the
worst emotions.” As the Vanderbilt Hustler highlights, her set is “energetic, emotional and full of fun, just like all of her music." Fans often leave Day’s shows on a high, blown away
by her powerhouse vocals (drawing comparisons to Brandi Carlile, Norah Jones, Alanis Morissette, and others), and charmed by the joy she exudes while onstage.
Already boasting over a million streams on a number of songs, Amelia Day continues to prove herself as both a songwriter and performer, emerging as a voice destined to resonate for years to come.
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